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Land of Canaan, or the land promised to Abraham and his descendants, and the Twelve Tribes of Israel, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection
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Land of Canaan, or the land promised to Abraham and his descendants, and the Twelve Tribes of Israel, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection
Land of Canaan, or the land promised to Abraham and his descendants, and the Twelve Tribes of Israel, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1785. Artist:Zuliani G
Alinari
PDP-A-ZATTA4-0028
Media ID 33189767
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving titled "Land of Canaan, or the land promised to Abraham and his descendants, and the Twelve Tribes of Israel". Created by G. Zuliani in 1785, this masterpiece is taken from Tome IV of the renowned "Newest Atlas" published in Venice. Housed in a private collection in Florence, this engraving beautifully captures the essence of the Land of Canaan. The artwork itself represents a significant historical period and holds immense cultural importance. It depicts the territory promised to Abraham and his descendants as well as the Twelve Tribes of Israel. The intricate details and precision showcased through Zuliani's craftsmanship are truly remarkable. Dating back to the eighteenth century, this piece embodies both Renaissance-Baroque styles and periods prevalent during that era. Its significance lies not only in its artistic value but also as a means of communication, conveying geographical information through cartography. As we delve into this enchanting engraving, we are transported back to Europe during the first and second millennium A. D. , where it served as an instrument for documenting territories. The allegorical nature adds depth to its abstract concept while symbolizing hope for those who believe in divine promises. Photographed by Alinari in 2009, this image allows us to appreciate every minute detail captured on paper over two centuries ago. It serves as a testament to human creativity throughout history while showcasing how art can transcend time. In conclusion, this stunning print encapsulates not only a visual representation but also carries with it layers of historical significance rooted deeply within European culture. Through its intricate design and symbolic meaning, it stands as a testament to our fascination with geography, communication methods employed throughout different eras, and ultimately our longing for understanding our place within vast landscapes.
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