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Our Saviour appearing to Mary Magdalene in the Garden, from A Catalogue of a
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Our Saviour appearing to Mary Magdalene in the Garden, from A Catalogue of a
KW320799 Our Saviour appearing to Mary Magdalene in the Garden, from A Catalogue of a Collection of Engravings, Etchings and Woodcuts, by Richard Fisher, published 1879 (litho) by Schongauer, Martin (c.1430-91) (after); Private Collection; (add.info.: see 62384; ); Ken Welsh; German, out of copyright
Media ID 12849863
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Crucifix Facsimile Noli Me Tangere Resurrected Resurrection Touch Me Not Northern Renaissance Unclean
EDITORS COMMENTS
This print captures the profound moment of Our Saviour appearing to Mary Magdalene in the Garden. Taken from a catalogue of engravings, etchings, and woodcuts by Richard Fisher, published in 1879, this lithograph showcases the artistic brilliance of Martin Schongauer. The image transports us back to the fifteenth century Northern Renaissance period, where Jesus Christ's resurrection is depicted with exquisite detail and emotion. The facsimile beautifully portrays Mary Magdalene's astonishment as she encounters her resurrected Lord. In this scene known as "Noli Me Tangere" or "Touch Me Not" we witness the power of faith and redemption. Jesus stands before a crucifix adorned with intricate carvings while extending his hand towards Mary Magdalene. His presence emanates an ethereal glow that illuminates both figures. Mary Magdalene appears humbled and overwhelmed by this divine encounter; her expression reflects a mix of awe, reverence, and disbelief. This portrayal highlights not only her devotion but also challenges societal norms as a female disciple encountering Jesus alone. Schongauer masterfully captures every delicate brushstroke to convey emotions that transcend time and space. The composition evokes contemplation on themes such as spirituality, purity, gender roles, and salvation. Displayed in a private collection today but originally created centuries ago in Germany during the Northern Renaissance movement when religious art flourished; this remarkable print serves as a testament to humanity's enduring fascination with faith and its ability
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