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The Painters March from Finchley, print by Paul Sandy, 1753 (engraving)
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The Painters March from Finchley, print by Paul Sandy, 1753 (engraving)
XJF867792 The Painters March from Finchley, print by Paul Sandy, 1753 (engraving) by English School, (18th century); Private Collection; (add.info.: BM 1904, 0819.706); English, out of copyright
Media ID 12940513
© www.bridgemanart.com
Academy Aesthetics Analysis Burlesque Chaos Critical Criticism Foundling Hospital Jacobite Pretension Taste Theory Tottenham Court Road William Hogarth Analytical Art Theory Palate
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The Painters March from Finchley
EDITORS COMMENTS
is a captivating print by Paul Sandy, created in 1753. This engraving, part of the English School's collection, showcases a scene filled with humor and satire. The artwork depicts a chaotic procession of painters marching towards Finchley, accompanied by their trusty pug companions. Sandy's print cleverly combines elements of art theory and social commentary. It playfully mocks the pretentiousness and grandiosity often associated with the art world at that time. Through caricature and burlesque, he satirizes the Academy and its critics while also poking fun at the Foundling Hospital and Jacobite movements. The composition is rich in detail, capturing the bustling streets of Georgian London as well as Tottenham Court Road in all its glory. Sandy employs his mastery over line work to create an aesthetic chaos that adds to the overall charm of this piece. One cannot help but be drawn into this whimsical scene where beauty meets analysis. The presence of William Hogarth's "Analysis of Beauty" theory can be felt throughout, emphasizing both taste and aesthetics. This print serves as a delightful reminder that art need not always take itself too seriously. With its clever blend of satire, humor, and artistic skill, "The Painters March from Finchley" continues to captivate viewers even centuries later.
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