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Minerve (Minerca). Pres d elle, son bouclier avec la tete de la Gorgone Meduse. Peinture de Paolo Veronese (1528-1588). Huile sur toile, 28 x 16 cm, vers 1560. art venitien, renaissance italienne. Musee des Beaux Arts Pouchkine, Moscou

Minerve (Minerca). Pres d elle, son bouclier avec la tete de la Gorgone Meduse. Peinture de Paolo Veronese (1528-1588). Huile sur toile, 28 x 16 cm, vers 1560. art venitien, renaissance italienne. Musee des Beaux Arts Pouchkine, Moscou


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Minerve (Minerca). Pres d elle, son bouclier avec la tete de la Gorgone Meduse. Peinture de Paolo Veronese (1528-1588). Huile sur toile, 28 x 16 cm, vers 1560. art venitien, renaissance italienne. Musee des Beaux Arts Pouchkine, Moscou

FIA5331069 Minerve (Minerca). Pres d elle, son bouclier avec la tete de la Gorgone Meduse. Peinture de Paolo Veronese (1528-1588). Huile sur toile, 28 x 16 cm, vers 1560. art venitien, renaissance italienne. Musee des Beaux Arts Pouchkine, Moscou. by Veronese, (Paolo Caliari) (1528-88); Pushkin Museum, Moscow, Russia; Photo © Fine Art Images

Media ID 24743014

© Fine Art Images / Bridgeman Images

Medusa Minerva Athena Venetian Art Cinquecento Greece Greek Mythological Figure


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EDITORS COMMENTS
This print showcases Paolo Veronese's masterpiece, "Minerve (Minerca)" housed in the prestigious Pushkin Museum in Moscow. The painting depicts Minerva, also known as Athena in Greek mythology, standing proudly next to her shield adorned with the fearsome head of Medusa. Created during the Italian Renaissance period around 1560, this oil on canvas artwork measures a modest 28 x 16 cm. Veronese's skillful brushwork and attention to detail are evident in every stroke, capturing the essence of Venetian art from this era. The vibrant colors bring life to Minerva's helmet and armor while emphasizing her divine status as a goddess. This portrait exudes power and strength as Minerva gazes confidently into the distance. The inclusion of Medusa's head on her shield adds an intriguing mythological element to the composition. According to ancient tales, anyone who looked directly at Medusa would turn into stone—a symbol of protection that further enhances Minerva's role as a guardian figure. This remarkable piece exemplifies Veronese's mastery of both technique and storytelling within his paintings. It is no wonder that it has found its place among other renowned artworks at the Pushkin Museum, where visitors can appreciate its beauty up close.

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