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A Cavalryman, 1884. Creator: Alphonse de Neuville

A Cavalryman, 1884. Creator: Alphonse de Neuville


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A Cavalryman, 1884. Creator: Alphonse de Neuville

A Cavalryman, 1884

Heritage Images features heritage image collections

Media ID 19844736

© Heritage Art/Heritage Images

Alphonse De Alphonse De Neuville Alphonse Marie Adolphe De Neuville Alphonse Marie De Neuville Cavalry Cavalryman Dragoons Neuville


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> Arts > Artists > N > Alphonse Marie de Neuville

> Arts > Artists > N > Alphonse de Neuville

> Europe > France > Military

> Europe > France > Paintings

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


A Cavalryman, 1884

EDITORS COMMENTS
is a captivating oil painting by Alphonse de Neuville that transports viewers back to the 19th century. This remarkable artwork showcases the artist's exceptional talent in capturing both the essence of war and the beauty of equestrianism. In this vibrant piece, a French cavalryman proudly sits atop his majestic horse, exuding strength and determination. The rich colors and meticulous brushstrokes bring life to every detail - from the soldier's uniform to the horse's muscular physique. It is evident that Neuville paid great attention to accurately depicting historical accuracy. The setting hints at a country landscape, reminding us of the vastness of battlefields during warfare in France during that era. As we gaze upon this masterpiece, we are transported into an intense moment frozen in time - where man and beast unite as one powerful force against their enemies. Displayed at The Metropolitan Museum of Art, "A Cavalryman" serves as a testament to Alphonse de Neuville's legacy as one of France's most celebrated artists from the 19th century. His ability to capture emotion through his art allows us to reflect on history while appreciating its artistic value. This print serves not only as a visual delight but also as a reminder of our shared heritage and admiration for those who have fought bravely throughout history.

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