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Copper Engraving by Rafael Schiamirossi, illustrating The Lunge, 1610, (1936). Artist: Rafael Schiamirossi

Copper Engraving by Rafael Schiamirossi, illustrating The Lunge, 1610, (1936). Artist: Rafael Schiamirossi


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Copper Engraving by Rafael Schiamirossi, illustrating The Lunge, 1610, (1936). Artist: Rafael Schiamirossi

Copper Engraving by Rafael Schiamirossi, illustrating The Lunge, 1610, (1936). The illustration is part of the treatise Gran Simulacro dell arte e dell uso della scherma (Great Representation of the Art and Use of Fencing) by Ridolfo Capoferro, 1610. From The Connoisseur, Vol. 97, edited by H. Granville Fell. [International Studio, London, 1936]

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Media ID 14984955

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Arm Raised Balance Effort Fell Fencing H Granville H Granville Fell Hilltop International Studio Legs Apart Panoramic Photography Poise Proportion Rafael The Connoisseur Treatise Copper Engraving Ferro Letterbox Format Lunging Ridolfo


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EDITORS COMMENTS
This print showcases a copper engraving by the talented artist Rafael Schiamirossi. The artwork, titled "The Lunge" was created in 1610 but was featured in a 1936 publication called "Gran Simulacro dell arte e dell uso della scherma" (Great Representation of the Art and Use of Fencing) by Ridolfo Capoferro. This side view illustration captures a male figure engaged in an intense fencing pose, with his arm raised and legs apart, demonstrating both balance and poise. The image is set against the backdrop of a hilltop with various buildings, including castles and fortifications, adding depth to the composition. The monochrome aesthetic enhances the sense of drama and intensity portrayed in this seventeenth-century scene of warfare. Schiamirossi's intricate engravings beautifully depict the artistry behind swordplay while also conveying the effort exerted during combat. The attention to detail is evident in every stroke, showcasing his mastery as an engraver. Published within "The Connoisseur" magazine edited by H. Granville Fell, this print offers viewers a glimpse into both historical fencing techniques and artistic craftsmanship from different centuries. It serves as a reminder that even centuries-old illustrations can still captivate modern audiences with their timeless beauty.

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