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The monks of Christchurch expelled, 1209 (1864). Artist: James William Edmund Doyle
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The monks of Christchurch expelled, 1209 (1864). Artist: James William Edmund Doyle
The monks of Christchurch expelled, 1864. Fulk de Cantelupe, (died 7 April 1239) and Henry de Cornhill, (c1135 - c1193) sheriff of Kent, are sent by King John to expel the monks from Christchurch, Canterbury in 1209. From A Chronicle of England B.C. 55 - A.D. 1485 by James E. Doyle. [Longman, Green, Longman, Roberts & Green, London, 1864]
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Media ID 14990733
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Administrator Attach Attache Baron Canterbury Christchurch Chronicle Of England Cornhill Doyle Expelled Expelling Henry De James Doyle James William Edmund James William Edmund Doyle John I John Lackland Kent King John King Of England Longman Longman Co Monk Monks New Zealand Norman Prince John Roberts Green Sheriff Shield South Island Aristocrat Thirteenth Century
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EDITORS COMMENTS
This print, titled "The Monks of Christchurch Expelled, 1209" by James William Edmund Doyle, takes us back to a significant moment in history. The scene depicts Fulk de Cantelupe and Henry de Cornhill, acting on behalf of King John, as they carry out the expulsion of the monks from Christchurch in Canterbury. Set against the backdrop of an English cathedral, this image captures the tension between religious authority and secular power during the 13th century. The artist's attention to detail is evident in every stroke; from the intricate engravings on shields to the expressions on each character's face. As we delve into this historical narrative through Doyle's work, we witness a clash between tradition and political maneuvering. The composition transports us to a time when religion played a central role in society and its influence was constantly contested. "The Monks of Christchurch Expelled" not only serves as an artistic masterpiece but also offers valuable insights into England's medieval past. It reminds us that even within religious institutions, power struggles were prevalent throughout history. This print allows us to reflect upon our own understanding of faith, governance, and their intersection throughout different periods. As we gaze at this remarkable piece created over a century ago by James William Edmund Doyle, it prompts us to appreciate how art can preserve moments that shape our collective memory.
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