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Signing the New Lease, 1868, (c1930). Creator: Erskine Nicol
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Signing the New Lease, 1868, (c1930). Creator: Erskine Nicol
Signing the New Lease, 1868, (c1930). A tenant, still wearing his coat, signs papers for a property in the presence of an estate agent. Painting in the New Walk Museum & Art Gallery, Leicester. From " Modern Masterpieces of British Art". [The Amalgamated Press Ltd. London, c1930]
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Media ID 19173640
© The Print Collector/Heritage Images
Agreement Amalgamated Press Amalgamated Press Limited Amalgamated Press Ltd Books Bookshelf Bookshelves Document Documents Erskine Erskine Nicol Ireland Irish Legal Legal Document Modern Masterpieces Of British Art Nicol Papers Property Rent Rental Renting Screen Signing Signing Up Tenant The Amalgamated Press Estate Agent Lease Metaphor
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Signing the New Lease, 1868 - A Glimpse into Victorian Property Agreements
EDITORS COMMENTS
. This print captures a significant moment in history, showcasing the act of signing a new lease in 1868. The scene unfolds within the confines of an elegant interior, where a tenant stands before an estate agent, still donning his coat as he prepares to put pen to paper. This artwork by Erskine Nicol offers us a glimpse into the legal processes and customs surrounding property agreements during this era. The attention to detail is remarkable; every element within the frame tells its own story. From the neatly arranged bookshelves filled with literature on law and other subjects, to the sturdy wooden table holding stacks of documents awaiting signatures - it all adds depth and authenticity to this snapshot from another time. Nicol's painting skillfully portrays not only individuals but also broader concepts such as wealth, power dynamics, and social status. The tenant's attire suggests that he may be of modest means compared to his well-dressed counterpart. Through this visual metaphor, we are reminded of how property ownership was often reserved for those who held higher positions in society. Displayed at the New Walk Museum & Art Gallery in Leicester, this piece represents one among many modern masterpieces of British art from various periods. It serves as a testament to our shared heritage and provides valuable insights into historical practices surrounding rental agreements and property rights in 19th-century Britain.
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