White blue button Succisa Duijvels Bete Morsus diaboli Succisa
Wall Art and Photo Gifts from Liszt Collection
White blue button Succisa Duijvels Bete Morsus diaboli Succisa
White blue button (Succisa) Duijvels Bete. / Morsus diaboli Succisa / Mors de Diable. (title on object), White-colored blue button or Devils bite. Numbered top right: 270. Top right the name in four languages. Part of the third album with drawings of flowers and plants. Tenth of twelve albums with drawings of animals, birds and plants known around 1600, commissioned by Emperor Rudolf II. With explanation in Dutch, Latin and French. Anselmus Boetius de Boodt, 1596 - 1610, paper, watercolor (paint), deck paint, chalk, ink, pen, h 302 mm × w 190 mm
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19549948
© Artokoloro
1596 1600 1610 Animals Anselmus Boetius De Boodt Birds Chalk Commissioned Deck Paint Emperor Rudolf Ii Explanation Four Languages Latin Numbered Top Right Plants Tenth Third Album Title Top Right Twelve Albums Succisa
EDITORS COMMENTS
This print showcases a stunning botanical illustration titled "White blue button (Succisa) Duijvels Bete. / Morsus diaboli Succisa / Mors de Diable". The artwork is part of the third album featuring exquisite drawings of flowers and plants, one of twelve albums commissioned by Emperor Rudolf II around 1600. The white-colored blue button, also known as Devils bite, takes center stage in this intricate piece. Its delicate petals and vibrant hues are meticulously captured using various mediums such as paper, watercolor paint, deck paint, chalk, ink, pen. Measuring at approximately 302 mm in height and 190 mm in width, this artwork exudes elegance and attention to detail. Numbered on the top right corner as 270, the image is accompanied by the title written in four languages: Dutch, Latin, French. Anselmus Boetius de Boodt is credited with creating this masterpiece between 1596-1610. This print offers a glimpse into the rich history of botanical illustrations during the Renaissance period. It serves as a testament to Emperor Rudolf II's appreciation for art and nature's beauty. With its detailed explanation provided in Dutch, Latin, and French languages alongside the artwork itself; it becomes an educational resource for those interested in exploring flora from centuries past.
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