Arrival of Henry III to Venice. ca. 1593. MICHIELI
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Arrival of Henry III to Venice. ca. 1593. MICHIELI
Arrival of Henry III to Venice. ca. 1593. MICHIELI, Andrea, called Il Vicentino (1542-1617). Henri III of France is received in 1574 by Doge Alvise Mocenigo and met by the Patriarch Giovanni Trevisano. Renaissance art. Cinquecento. Venetian school. Oil on canvas. ITALY. VENETO. Venice. Ducal Palace
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Media ID 14184883
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1542 1574 1593 1617 Andrea Arrival Called Cinquecento Doge Ducal Giovanni Henri Patriarch Received Renaissance Upright Venetian Veneto Venice Alvise Masculine Mocenigo Persons Vicentino
EDITORS COMMENTS
Andrea Michieli, also known as Il Vicentino, captures the grandeur and splendor of the Arrival of Henry III to Venice in this stunning Renaissance masterpiece, painted around 1593. The scene unfolds at the Ducal Palace in Venice, where the newly elected King of France, Henri III, is warmly welcomed by the Doge of Venice, Alvise Mocenigo, and the Patriarch of Venice, Giovanni Trevisano. Henri III, dressed in rich robes and adorned with a jeweled crown, stands proudly at the center of the composition, surrounded by a group of men in various poses of reverence and admiration. The Doge and Patriarch, both clad in formal attire, extend their hands in a gesture of welcome and respect. The patriarch holds a ceremonial orb and a scepter, symbolizing his ecclesiastical and secular power, while the Doge wears a red hat signifying his political authority. The vibrant colors and intricate details of the painting transport us back to the Cinquecento era, a time of artistic and cultural flourishing in Italy. Michieli's skillful use of light and shadow creates a sense of depth and realism, drawing our eyes to the intricate folds of the characters' clothing and the rich textures of their surroundings. This vertical, upright composition invites us to imagine ourselves as witnesses to this historic moment, as we bear witness to the exchange of power and diplomacy between two great European powers. The Arrival of Henry III to Venice is a testament to Michieli's artistic mastery and a reminder of the rich history and cultural exchange that characterized the Renaissance period.
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