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India - Sadhs Fakirs, Shepherd and Robertson, 1860s

India - Sadhs Fakirs, Shepherd and Robertson, 1860s


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India - Sadhs Fakirs, Shepherd and Robertson, 1860s

19th century vintage photograph India - Sadhs Fakirs
Shepherd and Robertson, 1860s

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23434348

1899 Asianj Collodion Colony Idian Orient Robertson Robes Samuel Bourne Shepherd Topography 1901 Albumen


FEATURES IN THESE COLLECTIONS

> Architecture > Country > India

> Architecture > Related Images

> Architecture > Styles > Colonial Architecture

> Architecture > Styles > Empire Architecture

> Architecture > Styles > Indian Architecture

> Architecture > Styles > Victorian Architecture

> Arts > Artists > B > Samuel Bourne

> Arts > Contemporary art > Landscapes > Portraits

> Arts > Contemporary art > Portraits > Landscape paintings

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Mary Evans Prints Online > New Images August 2021


EDITORS COMMENTS
This vintage photograph, titled 'Sadhs Fakirs, Shepherd and Robertson,' transports us back to the 1860s in India during the British colonial era. The image, captured by an unidentified photographer, showcases a serene riverside scene filled with intriguing characters and elements of the time. On the left, three Sadhus, or Hindu ascetics, are seen in deep meditation, their shaved heads and smeared ash symbolizing their renunciation of worldly desires. Their traditional robes, adorned with intricate designs and vibrant colors, add a pop of contrast against the muted tones of the landscape. In the center, a shepherd stands with his flock of goats, their curious gazes fixed on the camera. His simple attire, consisting of a white turban and loose-fitting clothes, is a stark contrast to the grand architecture and military presence in the background. The image also features an imposing British Army camp in the distance, with soldiers in uniforms and horses, signifying the strong British presence in India during this era. The architecture of the camp, with its red-roofed buildings and tall chimneys, stands out against the lush green landscape and the calm river. This photograph, taken using the albumen or collodion process, is a testament to the rich cultural tapestry of India during the 19th century. The Sadhus, shepherd, and soldiers, all coexisting in this scene, offer a glimpse into the diverse and complex society of the time. The photograph's historical significance lies in its ability to capture a moment in time, preserving it for future generations to appreciate and learn from.

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